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Anthony Van Dyck
Self-Portrait with a Sunflower
mk52
c.1633
Oil on canvas
60x73cm
The Duke of Westminster
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Anthony Van Dyck
The Painter Marten Ryckaert
mk61
c.1629-1631
Oil on panel
148x113cm
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Anthony Van Dyck
The Rest on the Flight into Egypt
mk65
Oil on canvas
52 3/4x73 3/4in
Pitti,Palatine Gallery
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Anthony Van Dyck
Portrait of a Noblewoman
mk65
Oil on paper glued on canvas
13 3/8x10 5/8in
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Anthony Van Dyck
Portrait of an English Gentleman
mk65
Oil on canvas
53 1/8x37 3/8in
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Anthony Van Dyck
Family Portrait
mk65
1621
Oil on canvas
44 1/2x37"
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Anthony Van Dyck
Sir Thomas Chaloner
mk65
Oil on canvas
41x32"
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Anthony Van Dyck
Anna Dalkeith,Countess of Morton,and Lady Anna Kirk
mk65
Oil on canvas
52x59"
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Anthony Van Dyck
Details of Anna Dalkeith,Countess of Morton, and Lady Anna Kirk
mk65
Details
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Anthony Van Dyck
Portrait of Marguerite of Lorraine,Duchess of Orleans
mk67
Oil on canvas
80 5/16x46 1/16in
Uffizi,Gallery
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Anthony Van Dyck
Portrait of the Children of Charles I of England
mk68
Oil on canvas
Turin,Sabauda Gallery
1634
England
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Anthony Van Dyck
La Vierge aux donateurs
mk70
Toile
H.2.50
L..1.91
Paris,Musee du Louvre
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Anthony Van Dyck
Saint Sebastien secouru par les anges
mk70
Toile
H.1.98
L.1.45
Paris,Musee du Louvre
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Anthony Van Dyck
Portrait d'un homme de qualite et d'un enfant
mk70
Toile
H.2.04
L.1.37
Paris,Musee du Louvre
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Anthony Van Dyck
Frans Snyders
mk76
Painted
c.1620
Oil on canvas
56 1/8x41 1/2in
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Anthony Van Dyck
Margareta snyders
mk76
Painted
c.1620
Oil on canvas
51 1/2x39 1/8in
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Anthony Van Dyck
Paola adorno,Marchesa di brignole sale
mk76
Painted between 1622 and 1627
Oil on canvas
90 7/8x61 5/8in
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Anthony Van Dyck
James,seventh earl of derby,his lady and child
mk76
Painted between 1632 and 1641
Oil on canvas
97x84 1/8in
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Anthony Van Dyck
Sir John Suckling
mk76
Painted between 1632 and 1641
Oil on canvas
85 1/4x511/4in
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Anthony Van Dyck
The Countess of clanbrassil
mk76
Painted probably in 1636
Oil on canvas
83 1/2x50 1/4in
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| Anthony Van Dyck
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Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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